In my current work I am interested in how we look at the world around us. It is the intangible and ambiguous that intrigues me. Light reflects off of surfaces, our own surroundings stare back at us from dirty window panes once dusk starts to fall outside, dust motes sparkle on blank television screens.  Through a window, the outside and the inside merge to create a new, personal yet universal, environment. 

How is the way through which we look at the world changing?  In our modern society that is filled with things viewed through screens, be it through the all-glass facade of a house, a phone screen, or a television – what kind of effect could this have, not only on the way we relate to visual art, but to the way we relate to the notion of ‘inside’ and ‘outside’ in general? These are some of the questions keeping me occupied.

My paintings are an exploration of colours and shapes viewed through an abstract, and at times exaggerated lens. An attempt at identification remains unavoidable. My paintings are also an exploration of painting itself. In an image-saturated environment, I am thinking about the role pictorial art and the creation of images may play.